User profiles for Sheila Lucy Sasser
Sheila L. SasserProfessor of Marketing, Eastern Michigan University, University of Michigan Verified email at emich.edu Cited by 1581 |
Matching creative agencies with results-driven marketers: Do clients really need highly creative advertising?
Creativity in advertising is a balancing act. Marketers say they want greater creativity, yet their
agencies feel that these clients reject cutting-edge work and fail to adopt risky campaigns. …
agencies feel that these clients reject cutting-edge work and fail to adopt risky campaigns. …
[BOOK][B] Creativity, innovation and integration in global advertising agency channel relationships: Creativity in the real world
SL Sasser - 2006 - search.proquest.com
This dissertation is part of larger ongoing empirical worldwide studies, ADCRISP© and
EUROCRISP© that examine the impact of various factors on creativity. Interactions between …
EUROCRISP© that examine the impact of various factors on creativity. Interactions between …
[PDF][PDF] Matching Creative Agencies with Results‑Driven Marketers
When the core brand is a steady source of profitability, account planners, strategists, and
clients may be risk-averse—a posture that makes sense given that client and agency budgets …
clients may be risk-averse—a posture that makes sense given that client and agency budgets …
What we know about creativity
G Precourt - Journal of Advertising Research, 2013 - journalofadvertisingresearch.com
… As you read the work of Sasser, Koslow, and Kilgour, you’ll discover their findings about
when highly creative advertising is really needed and why “risk averse” marketers continue to …
when highly creative advertising is really needed and why “risk averse” marketers continue to …
When bad is good: Do good relationships between marketing clients and their advertising agencies challenge creativity?
… However, we also draw from emerging creativity theory in advertising (eg, Sasser and
Koslow Citation2008), which suggests possible complications that revolve around risk and …
Koslow Citation2008), which suggests possible complications that revolve around risk and …
Postglobal Teacher Preparation: Border Thinking along the Global South through International Cross-Cultural Experiences (La Preparación Post Global del Maestro) …
J Rahatzad, HL Sasser, JA Phillion… - International Journal …, 2013 - ijme-journal.org
Preservice teachers’ international cross-cultural experiences can provide opportunities for
the exploration of epistemic frontiers. In this article we suggest that postglobal teacher …
the exploration of epistemic frontiers. In this article we suggest that postglobal teacher …
[PDF][PDF] Message
J Kimel - 1998 - avenuestoindependence.org
… Mary Grace’s Campaign for Independence began on Jan 9, 1989, when she moved into
Sasser Family House and we watched her progress to a productive life and develop a sense of …
Sasser Family House and we watched her progress to a productive life and develop a sense of …
[PDF][PDF] Incorporating Cosmopolitan-Related Focus-Group Research into Advertising Simulations
This paper discusses a method for simulating focus-group research regarding various patterns
of cosmopolitanism in the context of computer-based advertising simulations. While the …
of cosmopolitanism in the context of computer-based advertising simulations. While the …
International Rescue Committee annual report
International Rescue Committee - 2016 - archive.nyu.edu
Dear Friends, We are honored to present the IRC Annual Report for 2016, a year in which
our staff members and volunteers rose to meet unprecedented challenges. Never have so …
our staff members and volunteers rose to meet unprecedented challenges. Never have so …
XIV Modern Literature
S Ross, C Mourant, TM Fischer, J Phillips… - The Year's Work in …, 2022 - academic.oup.com
This chapter has eight sections 1. General. 2. Fiction Pre-1945; 3. Fiction Post-1945; 4. Drama
Pre-1950; 5. Drama Post-1950; 6. British Poetry Pre-1950; 7. British Poetry Post-1950; 8. …
Pre-1950; 5. Drama Post-1950; 6. British Poetry Pre-1950; 7. British Poetry Post-1950; 8. …